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Counterpoint

Featured — award winners and classics first, when available. Use “Show different books” for a new selection.

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Louis van Beethoven's Studies in thorough-bass, counterpoint and the art of scientific composition

Ludwig van Beethoven

1853

Jumping to conclusions : the falling-third cadences in chant, polyphony, and recitative

Hudson, Richard

2006

Students' counterpoint

Charles William Pearce

1911

Some aspects of counterpoint in selected works of Arnold Schoenberg

Boris Pillin

1971

Cours de contrepoint et de fugue

Luigi Cherubini

1854

Counterpoint applied in the invention, fugue, canon and other polyphonic forms

Percy Goetschius

1902

Grundlagen des linearen Kontrapunkts

Ernst Kurth

1922

Modal counterpoint, Renaissance style

Schubert, Peter

1999

An introduction to the skill of musick, in three books

Playford, John

1694

Double counterpoint and canon

Ebenezer Prout

1891

A treatise on counterpoint, canon and fugue

Frederick Arthur Gore Ouseley

1880

Counterpoint

Harold Knapik

1961

Counterpoint Workbook

Kent Wheeler Kennan

1986

Kontrapunkt (vokalpolyfoni)

Knud Jeppesen

1939

Music for Very Little People

John M. Feierabend

1987

Counterpoint

Hugo Kauder

1960

Preliminary exercises in counterpoint

Arnold Schoenberg

1970

Istitutioni harmoniche

Gioseffo Zarlino

1968

Bach

Malcolm Boyd

1983

Modern academic counterpoint

Charles William Pearce

1914

Workbook for Harmony through melody

Horton Charles, Charles Horton, Lawrence Ritchey

2000

Graduate review of tonal theory

Steven G. Laitz

2010

Fronimo

Vincenzo Galilei

1985

Contrapuntal harmony for beginners

C. H. Kitson

1931

Bach and the meaning of counterpoint

David Gaynor Yearsley

2002

Composers' counterpoint

Charles William Pearce

1900

Counterpoint for beginners

C. H. Kitson

1929

Twentieth-century music idioms

G. Welton Marquis

1964

Steps to Parnassus

Johann Joseph Fux

1943

The craft of modal counterpoint

Thomas Edward Benjamin

1979

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