David d'Angers
Romantiek
Public art
Romanticism in art
Romantisme
Dans l'art
Sculptors
Thèmes, motifs
Sculpture
Critique et interprétation
Criticism and interpretation
In his pediment for the Pantheon, a sculptural work depicting the many citizens who advanced the revolutionary cause in France, Pierre-Jean David d'Angers (1788-1856) celebrated the heroism of the individual while perpetuating a mythology of the modern world. Reassessing the art of David d'Angers, J…
Borrow to read
This scan is available through Internet Archive's free lending library — sign in or create a free account below, then borrow to read.
Reader not loading? Open it on Archive.org instead.